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Showing posts from August, 2018

Review: Vessel Decimal- Conversion

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Vessel Decimal is a band who right out of the gate calls their music a “program”, in the first track Orientation. It's almost as if we're joining a movement, or perhaps a cult as we start absorbing their music.  They are an interesting project that definitely has industrial rock and metal overtones, and as their biography on their website states: “ Today, the bulk of the work done for Vessel Decimal takes place in the main studio which is actually centered inside a junkyard purchased in 2001. The junkyard serves as a dependable revenue source to fund projects, and its a fairly healthy lifestyle maintaining the property and pulling parts off rusted old cars for enthusiasts and collectors that sometimes travel from three states over to find what they are looking for". Their newest album, Conversion, also according to their site, is what is being planned as a “three stage” album done one album at time. Glancing upon the lyrics provided with the album, thi

Review: Major Moment- One Small Step

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Major Moment is a band who, in their bio, proclaims at being influenced by bands like Linkin Park, Nine Inch Nails, and 30 Seconds to Mars. Some of these influences may be present in very subtle ways in their music, but they are definitely hinting at something different on their new E.P., One Small Step.  Major Moment are a band that has an intangible quality with quickly shifting melodies that are haunting in their execution. The first thing I thought was of all things, upon hearing the first track on the E.P., was The Alan Parsons Project's song "Time", a soft and haunting ballad- the first song on One Small Step is not a ballad, but the melodies do envelop you like a ballad would. I am reminded of bands like Anathema with the orchestral feeling and longing that comes about when listening to this. The first song after the intro, "Before It's Too Late" starts out with a wash of keyboards, and any follower of this blog knows I'm a sucker for a

Review: Third & Delaware - Generations

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Third and Delaware is a Metalcore influenced modern metal act who just came out with their new E.P., Generations. The album features 5 songs, starting with "Innocent By Association",which features some cool atmospheric keyboards. Other highlights include the song "Roads in Antarctica", which features clean sections alternating between the breakdown metal sections. Like many modern metal artists, the band alternates between the Metalcore scream and a cleaner vocal sound, featuring the melodious sections and hooks. Like a lot of other bands in the field, it also does not betray many of the modern Metalcore's recalling of 90's Gothenburg Metal bands like In Flames and Dark Tranquility.  However, this band only uses scant parts discarded from those influences, after all that movement happened over 20 years. The first thing I found myself thinking is that, we've been here before.  Some of the melodic ideas appealed to me, and the cle

Review- The Mountain King- Hitting Stellar Pipes

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The Mountain King is a newer project that invokes a few different feels and sounds, influenced by drone, stoner rock, and doom metal, to create a hybrid sound that definitely works with it's different elements.  Their new album, Hitting Stellar Pipes, is an album that features just 3 songs, but clocks in at over an hour.  As I'm not fully familiar with much of this (hybrid) genre, but do like some classic Doom and Stoner bands such as Cathedral or Sleep (or some of the classic Death Doom Bands like Anathema) it was a challenge to come up with superlatives to describe such an act.  I also have not heard much of bands like SunnO))) or Isis (the band that is). However, it is always a welcome change of pace with the atmosphere and dreamlike haze invoked by such projects and musicians. As snobby as it seems, I would rather review 1000 projects like this rather than 10 mainstream metalcore, post-grunge, or nu- metal ones. The album starts with Hitting Stellar

Review: Room 1985- The Bliss

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Review: Room 1985- The Bliss  As a fan of the burgeoning Synthwave movement, and especially the artists Carpenter Blut and VHS Glitch, among others, it was with an honor that I got the opportunity to review a band that proposed to mix a few different divergent styles that were among my favorites, synthwave, metal, and prog. Room 1985 are a band doing such a thing, and I see this as a sign of the future way of music. If anyone doesn't know what synthwave is a mix of varying styles of such artists such as John Carpenter's soundtrack music, other soundtrack artists including Tangerine Dream, a touch of synthpop, Jan Hammer's work on Miami Vice, etc- a mixing of retro styles intended to often draw a dystopian "Blade Runner"  like future, but if it all took place in the Eighties ! ( https://en.wikipedia.org/wiki/Synthwave ) I find it more entertaining and interesting than many of the other popular modern forms, including the overly saturated "Dubstep&qu